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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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Non classifié
188
PIANO & CLAVIERS
Piano seul
85
Piano Facile
63
Orgue
17
Piano, Voix
15
Piano, Voix et Guitare
14
Instruments en Do
5
1 Piano, 4 mains
3
Accompagnement Piano
2
Clavier
1
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
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GUITARES
Ukulele
19
Guitare notes et tablatures
13
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
1
VOIX
Chorale SATB
23
Chorale 3 parties
14
Voix duo, Piano
6
Chorale Unison
5
Chorale 2 parties
5
Chorale TTBB
3
Voix seule
1
Voix duo
1
Chorale SSAA
1
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VENTS
2 Saxophones (duo)
15
2 Flûtes traversières (duo)
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Clarinette
9
Flûte, Hautbois, Clarinette, Basson
9
Flûte traversière
7
Saxophone (partie séparée)
6
Clarinette, Violon (duo)
6
Saxophone, Clarinette (duo)
6
Flûte traversière et Piano
6
Quatuor de Saxophones: 4 saxophones
5
2 Clarinettes (duo)
5
Quatuor de Clarinettes: 4 clarinettes
4
Quintette de Saxophone: 5 saxophones
4
Hautbois, Piano (duo)
4
Trio de Flûtes: 3 flûtes
3
Clarinette et Alto
3
Flûte, Alto (duo)
3
Flûte, Violon
3
Hautbois, Basson (duo)
3
Clarinette, Basson (duo)
2
Saxophone Alto
2
Ensemble de Clarinettes
2
Flûte, Violoncelle
2
Flûte, Clarinette et Basson
2
Cor Anglais
2
Ensemble à vent
2
Hautbois (partie séparée)
2
Hautbois, Flûte
2
2 Flûte à bec (duo)
2
Hautbois, Clarinette (duo)
2
2 Hautbois (duo)
2
Flûte, Clarinette (duo)
2
Clarinette, Violoncelle (duo)
2
Hautbois, Violoncelle
2
Clarinette et Piano
2
Flûte, Trompette (duo)
2
Flûte, Hautbois (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
3 Clarinettes (trio)
1
Flûte irlandaise
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Saxophone (duo)
1
Clarinette, Trompette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois et alto (duo)
1
Ensemble de Flûtes
1
Ensemble de saxophones
1
Flûte, Hautbois, Basson
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette
7
2 Trompettes (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Saxophone (duo)
4
Tuba
3
Trompette, Trombone (duo)
3
Trombone
3
Trompette (partie séparée)
3
Euphonium
2
Cor Anglais
2
Trio de Cuivres
2
Cor
2
2 Trombones (duo)
2
Cor et Basson (duo)
1
Cor et Piano
1
Trompette, Basson (duo)
1
Trombone et Piano
1
Tuba et Orgue
1
Trompette, Piano
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Violoncelle (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
160
Violon, Violoncelle (duo)
145
Trio à Cordes: violon, alto, violoncelle
115
Violon
113
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Violon et Piano
10
Violon, Alto (duo)
9
2 Violoncelles (duo)
5
Violoncelle (partie séparée)
5
Alto, Piano
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violons (duo)
4
2 Altos (duo)
4
Alto seul
3
Harpe
3
Violoncelle, Piano
3
Violon, Basson (duo)
2
Contre Basse
2
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
Alto (partie séparée)
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
92
Orchestre d'harmonie
84
Cloches
21
Orchestre
12
Ensemble de cuivres
8
Ensemble Jazz
7
Ensemble de Percussions
4
Marimba
3
Orchestre de chambre
3
Xylophone
2
Jazz combo
2
Fanfare
1
Batterie
1
Percussion (partie séparée)
1
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AUTRES
Vous avez sélectionné:
By Way of Introduction
Partitions à imprimer
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By Way of Introduction
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By Mark Zuckerman. For brass quintet. Level 3.5. Score and set of parts. Published by Imag…
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By Mark Zuckerman. For brass quintet. Level 3.5. Score and set of parts. Published by Imagine Music - Digital
$10.00
9.33 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Mark Zuckerman
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By Way of Introduction
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Imagine Music - Digital
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SheetMusicPlus
I Love Thy Way of Freedom (HEAVENWARD)
Small Ensemble Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823931
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Small Ensemble Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823931 Composed by Irish Melody. Arranged by Richard Giszczak. Celtic,Irish,Praise & Worship,Sacred. Individual part. 2 pages. Singing Winds Music Company #6851129. Published by Singing Winds Music Company (A0.823931). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, a variation, and a D.S. al Fine.The hymn tune name is HEAVENWARD. The words I Love Thy Way of Freedom are for general use.
$2.00
1.87 €
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Irish Melody
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Richard Giszczak
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I Love Thy Way of Freedom
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Singing Winds Music Company
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SheetMusicPlus
To Us This Night Is Born a Child
Chorale SATB
SATB Chorus & Piano - Digital Download SKU: IZ.VMW227 Composed by Ernest Brandon. O…
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SATB Chorus & Piano - Digital Download SKU: IZ.VMW227 Composed by Ernest Brandon. Octavo. 8 pages. Imagine Music - Digital #VMW227. Published by Imagine Music - Digital (IZ.VMW227). 9 x 12 inches.âParis Without You is a piece for solo tenor saxophonist and orchestra with jazz quartet accompaniment. By way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned. I was going to visit family and Cindy was going back to Paris, a place she had visited many times. So it was that we were almost literally a world apart. Upon both our returns, Cindy shared her many photos of Paris with me, a place I have never been. These photos were but a few that really made an impression on me and made me feel almost as I were there, even though Cindy was there (in one of the most romantic places in the world) as musicians would say, âsolo. So the title of this piece suggests a telling of the story in pictures from her perspective.In performing this piece, it is preferable to have a tenor saxophonist who is equally comfortable in an orchestral setting as in a jazz quintet setting. Though all the jazz quintet parts are very specifically written, with either chord voicings and suggested solos, there is room for improvisation in these parts, but using a keen ear and direction to know when to align properly with the orchestra.In my recording of this piece, Maynard Ferguson Band alumni, Andy Weinzler is the featured tenor saxophonist. Many Western New York musicians came together to record this piece, and I thank them all for their incredible musicianship and willingness to perform this piece.
$2.00
1.87 €
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Chorale SATB
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way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned
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Ernest Brandon
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To Us This Night Is Born a Child
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Imagine Music - Digital
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SheetMusicPlus
Festal Introit
Chorale SATB
SATB Chorus, Brass Quartet, and Percussion - Digital Download SKU: IZ.VMW228 Compos…
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SATB Chorus, Brass Quartet, and Percussion - Digital Download SKU: IZ.VMW228 Composed by William Bullock. Score and Parts. 13 pages. Imagine Music - Digital #VMW228. Published by Imagine Music - Digital (IZ.VMW228). 9 x 12 inches.âParis Without You is a piece for solo tenor saxophonist and orchestra with jazz quartet accompaniment. By way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned. I was going to visit family and Cindy was going back to Paris, a place she had visited many times. So it was that we were almost literally a world apart. Upon both our returns, Cindy shared her many photos of Paris with me, a place I have never been. These photos were but a few that really made an impression on me and made me feel almost as I were there, even though Cindy was there (in one of the most romantic places in the world) as musicians would say, âsolo. So the title of this piece suggests a telling of the story in pictures from her perspective.In performing this piece, it is preferable to have a tenor saxophonist who is equally comfortable in an orchestral setting as in a jazz quintet setting. Though all the jazz quintet parts are very specifically written, with either chord voicings and suggested solos, there is room for improvisation in these parts, but using a keen ear and direction to know when to align properly with the orchestra.In my recording of this piece, Maynard Ferguson Band alumni, Andy Weinzler is the featured tenor saxophonist. Many Western New York musicians came together to record this piece, and I thank them all for their incredible musicianship and willingness to perform this piece.
$16.00
14.93 €
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Chorale SATB
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way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned
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William Bullock
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Festal Introit
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Imagine Music - Digital
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SheetMusicPlus
Pasodoble Venezolano - String Quartet (Score and Parts)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1407112 Composed by Bernardo Bernal. Contemporary,Folk,Multicultural,World. 25 pages. Bernal #989810. Published by Bernal (A0.1407112). Pasodoble Venezolano (or Venezuelan Pasodoble) is a vibrant piece composed in 2009. It was originally destined for a Symphonic Orchestra it has two different but complementary sections, each with its own character. The first section is a fanfare by way of introduction. The second section is the Pasodoble itself with the typical Andalusian cadence or Phrygian cadence (bVII-bVI-V7). Pasodoble is a folk traditional dance from Spain that arrived in Venezuela and took on a local character. I present the string quartet version to you for the first time. You will love to play this Pasodoble to your public. Performance time: 03:00 minutes.
$2.99
2.79 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Bernardo Bernal
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Pasodoble Venezolano - String Quartet
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Bernal
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SheetMusicPlus
Pasodoble Venezolano - For Piano
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1405973 Composed by Bernardo Bernal…
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Piano Solo - Level 2 - Digital Download SKU: A0.1405973 Composed by Bernardo Bernal. Contemporary,Folk,Multicultural,World. Score. 8 pages. Bernal #989021. Published by Bernal (A0.1405973). Pasodoble Venezolano (or Venezuelan Pasodoble) is a vibrant piece composed in 2009. It was originally destined for a Symphonic Orchestra it has two different but complementary sections, each with its own character. The first section is a fanfare by way of introduction. The second section is the Pasodoble itself with the typical Andalusian cadence or Phrygian cadence (bVII-bVI-V7). Pasodoble is a folk traditional dance from Spain that arrived in Venezuela and took on a local character. I present the piano version to you for the first time. You will love to play this Pasodoble to your public. Performance time: 03:00 minutes.
$2.99
2.79 €
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Piano seul
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Bernardo Bernal
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Pasodoble Venezolano - For Piano
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Bernal
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SheetMusicPlus
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.42 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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English Folk Song by way of American Appalachians
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
The Fragrance of Purple Rosy, New Age piano duet for 1 piano 4 hands in intermediate level
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.899174
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.899174 Composed by Luxuan Elly Wen. New Age. Score and parts. 11 pages. Luxuan Elly Wen #4621811. Published by Luxuan Elly Wen (A0.899174). The Fragrance of Purple Rosy is inspired by the Sonnett 123 composed by Liszt. I practiced the sonnet 123 a few years ago and the beauty of the music fascinated me, which brings up the colors in the ways of delicate, intimate, and the subtle change of shades. The music always reflects in colors in my brain. The Sonnet 123 rounds up in purple rosy. I decided to write a duet sharing the same color for praising sonnet 123. The music is expressed in my own way. Also, I wanted to start the music in a way of most straight-forward, therefore the first subject entered as a 4-note broken chord. The short introduction is written in triplets for the purpose of giving a salute to Liszt, which shares the same rhythmic pattern of the introduction of Sonnet 123.Advice credit: Jean Kountz and Jane ArmstrongPerformers in the sample video: Le-qi Tang and Nicole Tang from Flora Wu's Piano Studio
$4.99
4.66 €
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1 Piano, 4 mains
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Luxuan Elly Wen
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The Fragrance of Purple Rosy, New Age piano duet for 1 piano 4 hands in intermediate level
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Luxuan Elly Wen
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
13.02 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
13.02 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
The CelloWay 1
Violoncelle (partie séparée)
Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm …
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Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm Bruun #699675. Published by Julie Munkholm Bruun (A0.1095693). There's a new cello lesson book on the market! In this book I've turned the normal way of learning to play the cello upside down. With a little bit of creativity, and a lot of knowledge and understanding about how the instrument works - and how students learn - I have created this book. I hope you will love it just as much as I do, and that it will help you build a good foundation for your cello playing. FROM THE INTRODUCTION: This lesson book was created with a new perspective in mind. My hope is, that this way of learning, will make it easier to learn to play the cello. I have chosen to include a few chapters in the beginning of the book, where you will play on open strings. That will help you establish a good, basic understanding for how the cello should sound. It will also give you the opportunity to build up strength in the left hand slowly â and concentrate on getting a good, basic bowing technique. I have included small chapters with music theory, that I find important in order to understand how the instrument works. The cello doesn't have any keys or frets to help you play in tune, so knowing a few tips and tricks will help you tremendously. As opposed to most cello lesson books, the first finger you will learn to use here is the 4th finger. The 4th finger is your little finger and usually the least strong finger of them all. Starting with 4th finger has 2 very important advantages: ⢠When you use the 4th finger â especially in the beginning â you will use the other 3 fingers to help push the string down into the fingerboard. That will help you establish a good, healthy hand position for the left hand. And when you start with 4th finger, using the other 3 fingers will feel so easy! ⢠4th finger in the first position is the same note (an octave higher) as the open string below. It gives you the opportunity to use the open string to know if you play in tune. Once you have gone through this book you should be able to play with the bow, by plucking the strings (pizzicato) and use 1st, 3rd and 4th finger on the left hand. That means that you should be able to play songs in G Major and D Major in one octave. The last few chapters include duets for two cellos. I have chosen to include the duets to make it more fun to play and to start developing the students ability play chamber music. It is wonderful to be able to play an instrument, and playing with other people adds an extra dimension to that. Love, live, play! Julie.
$12.00
11.2 €
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Violoncelle (partie séparée)
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Julie Munkholm Bruun
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The CelloWay 1
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Julie Munkholm Bruun
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân, - english horn in F and piano by Jean-Thierry Boissea
Instrumental Duet English Horn,Instrumental Duet,Piano - Level 2 - Digital Download SKU…
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Instrumental Duet English Horn,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.533219 Composed by Traditional Welsh Lullaby:. Arranged by Jean-Thierry Boisseau. Concert,Folk,Standards,World. Score and parts. 13 pages. Musik Fabrik Music Publishing #2061373. Published by Musik Fabrik Music Publishing (A0.533219). This is an arrangement of the famous Welsh lullaby. This work for english horn and piano is not at all a set of variations on a theme, because the english horn always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95
8.35 €
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Traditional Welsh Lullaby:
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân, - english horn in F and piano by Jean-Thierry Boissea
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Musik Fabrik Music Publishing
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân, - bassoon and piano by Jean-Thierry Boisseau
Basson, Piano (duo)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.533220 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Concert,Folk,Standards,World. Score and parts. 13 pages. Musik Fabrik Music Publishing #2063763. Published by Musik Fabrik Music Publishing (A0.533220). This is an arrangement of the famous Welsh lullaby. This work for bassoon and piano is not at all a set of variations on a theme, because the bassoon always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95
8.35 €
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Basson, Piano (duo)
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Traditional Welsh Lullaby
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân, - bassoon and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân, - double bass and piano by Jean-Thierry Boisseau
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 2 - Digital Download SKU:…
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Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.533221 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Concert,Folk,Standards,World. Score and parts. 13 pages. Musik Fabrik Music Publishing #2063765. Published by Musik Fabrik Music Publishing (A0.533221). This is an arrangement of the famous Welsh lullaby. This work for bass and piano is not at all a set of variations on a theme, because the bass always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95
8.35 €
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Traditional Welsh Lullaby
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân, - double bass and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân, - horn in F and piano by Jean-Thierry Boisseau
Cor et Piano
Instrumental Duet Horn,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.533…
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Instrumental Duet Horn,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.533222 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Concert,Folk,Standards,World. Score and parts. 13 pages. Musik Fabrik Music Publishing #2063767. Published by Musik Fabrik Music Publishing (A0.533222). This is an arrangement of the famous Welsh lullaby. This work for horn and piano is not at all a set of variations on a theme, because the horn always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95
8.35 €
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Cor et Piano
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Traditional Welsh Lullaby
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân, - horn in F and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Romantic Sonata - Poems of Light
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover.…
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Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publications #4797933. Published by Musicart Publications (A0.971652). In three movements, Romantic Sonata - Poems of Light (flute and piano) communicates how light can be a metaphor for the emotional and spiritual aspects of life. There are also three paintings - also created by the composer - joining hearing with sight as a poetic way of understanding ideas and emotions.Of Light and Shadow possesses a monothematic sonata design (rather than a two-theme structure), with a primary musical theme that is developed, and a brief closing section. Colors in the Clouds, the second movement of the work, does not differ greatly in tempo from the first movement, but rather is more relaxed in character. A slower middle section of this movement explores tone color through expressive use of extended techniques for the flute. Prism of the Heart is variation of the classical chaconne, with an introduction and a closing section. The conclusion of the first movement is developed and becomes the closing section of the third movement. This connects the first and third movements, bringing one back to where one started, yet experiencing change after the musical journey. The score and flute part in this edition are arranged to be printed double-sided, with correct page turns, directly from the PDF. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hooverâs work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hooverâs background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$21.95
20.48 €
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Flûte traversière et Piano
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Jeffrey Hoover
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Romantic Sonata - Poems of Light
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Musicart Publications
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân, - trombone and piano by Jean-Thierry Boisseau
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.533223 Composed by Traditional …
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Piano,Trombone - Level 2 - Digital Download SKU: A0.533223 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Folk,Holiday,Standards,World. Score and part. 13 pages. Musik Fabrik Music Publishing #2080125. Published by Musik Fabrik Music Publishing (A0.533223). This is an arrangement of the famous Welsh lullaby.This work for trombone and piano is not at all a set of variations on a theme, because the trombone always plays, without embellishment, the same sixteen-measuresequence four times. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the trombonist to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!
$8.95
8.35 €
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Trombone et Piano
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Traditional Welsh Lullaby
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân, - trombone and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân, - tuba and piano by Jean-Thierry Boisseau
Tuba et Orgue
Piano,Tuba - Level 1 - Digital Download SKU: A0.533224 Composed by Traditional Wels…
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Piano,Tuba - Level 1 - Digital Download SKU: A0.533224 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Folk,Holiday,Standards,World. Score and part. 13 pages. Musik Fabrik Music Publishing #2080127. Published by Musik Fabrik Music Publishing (A0.533224). This is an arrangement of the famous Welsh lullaby.This work for tuba and piano is not at all a set of variations on a theme, because the tuba always plays, without embellishment, the same sixteen-measuresequence four times. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the tubist to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!
$8.95
8.35 €
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Tuba et Orgue
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Traditional Welsh Lullaby
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân, - tuba and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Way of the Cross Leads Home
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1406740 By Southwest …
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1406740 By Southwest Baptist Church. By Words: Jesse B. Pounds / Music: Charles H. Gabriel. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #989495. Published by Leatherman Music Services (A0.1406740). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:â¢Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.â¢Chord symbols included as a service to classical guitarists.â¢Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboardsâfor example, using the piano/strings settingâ¢Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.â¢Hymn background information included for personal edification or use as printed program notes.â¢Optional repeats which allow you to fit into the allotted time available in a service.â¢An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
3.72 €
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Piano, Voix et Guitare
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Southwest Baptist Church
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Lyndell Leatherman
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some were not
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The Way of the Cross Leads Home
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Leatherman Music Services
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SheetMusicPlus
By the Babylonian River (Fifth Station: Jesus Meets the Women of Jerusalem) (Downloadable)
Orgue
Organ - Medium - Digital Download SKU: MQ.10-365-5E Composed by David M. Cherwien. …
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Organ - Medium - Digital Download SKU: MQ.10-365-5E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-5E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-5E). âThese are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase âHis yoke is easyâ, and the hymn is âGo to Dark Gethsemane.â The improvisation alternates between the theme from the chorus âHis yoke is easyâ from Handelâs Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
4.67 €
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Orgue
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David M
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By the Babylonian River
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Go to Dark Gethsemane (Fourth Station: The Cross Is Laid on Simon of Cyrene) (Downloadable)
Orgue
Organ - Medium - Digital Download SKU: MQ.10-365-4E Composed by David M. Cherwien. …
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Organ - Medium - Digital Download SKU: MQ.10-365-4E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 4 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-4E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-4E). âThese are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase âHis yoke is easyâ, and the hymn is âGo to Dark Gethsemane.â The improvisation alternates between the theme from the chorus âHis yoke is easyâ from Handelâs Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
4.67 €
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Orgue
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David M
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Go to Dark Gethsemane
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
O Sacred Head, Now Wounded (Sixth Station: Jesus Is Stripped of His Garments) (Downloadable)
Orgue
Organ - Medium - Digital Download SKU: MQ.10-365-6E Composed by David M. Cherwien. …
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Organ - Medium - Digital Download SKU: MQ.10-365-6E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 5 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-6E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-6E). âThese are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase âHis yoke is easyâ, and the hymn is âGo to Dark Gethsemane.â The improvisation alternates between the theme from the chorus âHis yoke is easyâ from Handelâs Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
4.67 €
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Orgue
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David M
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O Sacred Head, Now Wounded
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Good Friday Reflections: Organ Meditations on Stations of the Cross
âThese are written-out improvisations that were a part of the Good Friday noon liturg…
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âThese are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase âHis yoke is easyâ, and the hymn is âGo to Dark Gethsemane.â The improvisation alternates between the theme from the chorus âHis yoke is easyâ from Handelâs Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included
Song List
: An Wasserflussen Babylon Ein Lammlein geht Herzlich tut mich verlangen (Passion Chorale) Herzliebster Jesu Kas Dziedaja Redhead 76 (Gethsemane/Petra) Shades Mountain Stabat mater dolorosa
$21.50
20.06 €
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Good Friday Reflections: Organ Meditations on Stations of the Cross
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SheetMusicPlus
Twinkle Pluto planet no more for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score and parts. 9 pages. David Warin Solomons #2028709. Published by David Warin Solomons (A0.575837). Originally written for a Delian suite for various composers remembering Schoenberg back in 2006, I have now revised it and provided separate parts. The piece is atonal and satirically based on Twinkle twinkle little star by way of a supposed reaction from Pluto after it was relegated from planet to dwarf planet by astronomers here on earth. I wrote the following introduction for the Delian suite version: 'Twinkle, Twinkle Little Star' (Jane Taylor's poem used for the tune to the French song Ah, vous dirai-je maman) is given an atonal treatment, for string quartet, in memory of the 'lost' planet of Pluto. Of course Pluto is still there, merely changed in the human taxonomy, which deems it to be no longer a planet. Similarly Twinkle, Twinkle is no longer a nursery rhyme but a strange atonal piece with memories of its past self moving towards an unknown space. It will be curious to know at which age a child recognises the twinkle-twinkle motif in this new, totally untraditional version. However, atonal though it is, it still appears to have some kind of 'home.' 'Ah, vous dirai-je maman, ce qui cause mon tourment,' ce n'est plus la petite chanson d'enfants, elle s'en va vers les étoiles dans un astronef de quatuor à cordes atonal. Son tourment?: Sa lamentation ne vise que la taxonomie humaine des planètes-Pluton, tu n'est plus planète? Maman! où se trouve la réalité, où se trouve notre domicile? Nous avons tous nos taxonomies, mais la réalité est en dehors... Le sens de tonalité est en dehors... Mais malgré tout, on reconnaît la mélodie... N'est-ce pas?.
$10.00
9.33 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Anonymous
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David Warin Solomons
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Twinkle Pluto planet no more for string quartet
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David Warin Solomons
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SheetMusicPlus
Kora's Song and Dance
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.881254 Composed by Gary Powell Na…
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Concert Band - Level 5 - Digital Download SKU: A0.881254 Composed by Gary Powell Nash. Contemporary. Score and parts. 175 pages. Gary Powell Nash #4727399. Published by Gary Powell Nash (A0.881254). During the 2006-2007 academic year, Nash was fortunate to travel to Ghana, Spain and Vietnam. These experiences were quite profound and resulted in Nash composing new works that reflect those experiences. KORAâS SONG AND DANCE (2009) for symphonic wind ensemble is his first large ensemble composition written under this premise. Kora is a 21 stringed musical instrument from West Africa and KORA'S SONG AND DANCE is largely based on the tune Diabateâ by singer/songwriter Vieux Farkeâ Toureâ of Mali. Diabateâ is also the name of well known kora musician, Toumani Diabateâ in which Toureâ dedicated the song to. KORAâS SONG AND DANCE uses melodies that are derived from the drone motif in Toureâs Diabate. Diabateâ is a medium tempo song with the drone motif occurring throughout and improvised melodies on top of the drone. KORAâS SONG AND DANCE begins with a slow introduction, featuring the alto sax and marimba. The rest of the ensemble gradually enters and builds to the end of the intro, transitioning to the next section by way of metric modulation. The next section builds with layers of instrumental textures, much like the intro and concludes with an English horn and piano duet. This particular pattern of musical events repeats, transitioning back to slow music, reminiscent of the intro and then ends big by going back to the faster tempo.
$80.00
74.64 €
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Orchestre d'harmonie
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Gary Powell Nash
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Kora's Song and Dance
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Gary Powell Nash
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